‘SALT IN THE BLOOD’
What does the ocean’s movement sound like as music?
Using a vast library of field recordings we created from Sydney’s Northern Beaches and Bushlands combined with drones and modular synthesizer samples we built a suite of aqueous material that could flow under scenes and help the viewer really explore Tom’s world.
Nostalgia and memories were an integral part of the music brief. Old tape machine movements and millions of sonic imperfections are present in the sound, as a nod to nature and time.